In my last book entry of 2011, I discussed my penchant for buying books, many of which go unread for some time, and my resolution to stem the tide of book buying in 2012. My first book of 2012 nicely represents this new effort. In the case of The Monsters of Templeton, I have concrete evidence that the book has been languishing on my to-be-read shelves for some time: a receipt for Powell's Books, dated 4/12/09, was tucked in the front cover. I'm not sure how many points I can score for waiting 2 years and 9 months to read this book, but it does represent one fewer tome gathering dust (only partially true, I suppose, since it will still be gathering dust--just in its properly alphabetized location on the already-read shelves).
Like many of these neglected volumes, Monsters turned out to be a very good book. Set in a small city in upstate New York, pretty clearly modeled on Cooperstown because of the baseball museum, Templeton is staged as idyllic America. Nestled on a lake amidst the rolling, forested hills, the town flourished early on and regained its importance with the establishment of the museum. The book's main character, Willie Upton, is a descendant of the town founder, raised by her ex-hippie mother in the sprawling home he built on the lake shore. Now finishing her PhD in archeology, she returns to Templeton in self-described disgrace on the every day that Glimmey, the monster rumored to live in the lake, has died and floated to the top.
Of course, the book's title implies that there is more than one monster to be found in Templeton. In the search to find her true father--whom her mother now admits is a town citizen and not one of three possible men from the free-love San Fransico commune she left upon the death of her parents--Willie digs into the past to uncover who the mysterious man may be, unearthing a few monsters along the way. The only hint her mother provides her with is that Willie's father also shares a bloodline with the founding father--although of a less legitimate nature. The stories of these family monsters are told through a series of letters as well as invented narratives, uncovering a rich history and, ultimately, Willie's heritage. It's a historical take on an early American settlement, and I'm happy I finally pulled it from the shelf.
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