Showing posts with label Atwood. Show all posts
Showing posts with label Atwood. Show all posts

Tuesday, August 13, 2013

44.13: The Happy Zombie Sunrise Home, by Margaret Atwood and Naomi Alderman (Wattpad 2012)

Wattpad is an free app that provides readers with access to free books and reading material. Many of these books are written by amateurs, rife with fan fiction and the like, but some of the material shared is of high quality. Corey Doctorow has released his recent book on Wattpad, and Margaret Atwood has jumped on board--first with some poetry and now with this novella, co-written with Alderman in alternating chapters.

While one might expect an author best known for her dystopic novels about our future to have a negative view of technology, Atwood is quite the opposite. She was among the first adopters of Twitter and tweets out regularly--her own tweets, versus those created and posted by a publicist or staffer. So, her support of the Wattpad platform is not surprising in this regard. And, the change of platform has allowed for a bit more frivolity and fun. The piece, as described in the title, it about zombies. And, as much as I like zombies, how could I not like zombies as seen by my favorite author?

(For those interested in more of Atwood's digital productions, two recent short stories are available in eBook format only: "I Dream of Zenia with the Bright Red Teeth" (a follow-up to Cat's Eye) and I'm Starved for You" (the first in a post-apocalyptic serial now titled Positron--and in its fourth installment). Both are available via Amazon/Kindle. 

Wednesday, July 25, 2012

31.12: In Other Worlds: SF and the Human Imagination, by Margaret Atwood (iBook edition, original release 2011)

I earned a MA in literature, and my field of interest was primarily contemporary North American feminist authors. I also have what a librarian friend not-so-jokingly refers to as "the largest comic and graphic novel collection in northern California." As you may suspect, it is not too often that these two reading passions intersect, so it was with great joy that I scanned the 2012 Comic Con schedule and found a session entitled "Inside the Shadow Show: Ray Bradbury's Lasting Impact  on Literature, Comics, and Beyond," featuring Margaret Atwood--three of whose novels formed the basis of my thesis.

I wasn't so far astray from my early roots to have missed the Atwood's recent novels and poetry, of course, but I hadn't been keeping up on her nonfiction. The closest I'd come in this regard was following her on Twitter, where she has plenty to say on a wide range of political and social topics. (Note: unlike plenty of other well-known folks, Atwood is responsible for all her own tweets.) Before I saw my idol in person, I searched to see what I had missed. In addition to a few recent digital story releases, I found I had overlooked In Other Worlds, published in 2011. I uploaded the iBook in the Portland airport, happy that Atwood is an important enough author that her non-fiction is available quickly in eFormat.

Without a doubt, this is the fastest I have read a work of non-fiction in memory. I read plenty of fiction, but non-fiction volumes usually end up piled next to the bed, waiting until I decide to pick them up and read a chapter between novels; Non-fiction on my iPad usually faces an even less active fate, but I found myself reading right through Atwood's reflection. That's really what it is, too: Atwood's musings on what she refers to as Speculative Fiction (what others generally categorize as Science Fiction)--a distinction she has been criticized for, but which holds up well in her telling of it. The book is a collection of material, loosely divided into three sections: the first in which Atwood discusses SF by way of Beowulf, Twilight, and everything in between, illustrated with drawings she made as a nine-year old (and not included in the print version of the book); the second in which she republishes reviews and analyses she wrote about SF works from recent centuries--from folks such as Swift, Huxley, Wells, Piercy, LeGuin, and Ishiguro; and the third in which she includes five short SF pieces she authored over the years.

All in all, the book was interesting and thought-provoking, as I was able to tell Atwood myself during the signing session after the panel ended. She smiled kindly in response. Either that, or she was smiling at the fact that I had purchased both the eBook and hardcover editions, recognizing that readers like me who want signatures from authors like her are one reason that print books may not be altogether obsolete in a double-profit future she imagines.

29-30.12: I'm Starved for You and I Dream of Zenia with the Bright Red Teeth, by Margaret Atwood (2012, available in eBook only)

 Anyone who knows me well is aware of the fact that I am a big fan of Margaret Atwood's work. I've read everything she's written, whether poetry, fiction, children's picture books (Princess Prunella and the Purple Peanut is a favorite of mine.) or nonfiction, and I wrote my master's thesis on three of her novels--exploring the way women use power in relationships with each other. Therefore, it comes as no surprise that I'd be willing to shell out $2.99 and $1.99--the cost of these two publications on iBooks--for two short stories. You might not be so eager to do so, but I for one have no regrets.

I'm Starved for You (I'm waffling on the choice of quotation marks or italics here, but I've decided to use italics as this is a single publication, despite its short length.) is what Atwood would refer to as a piece of ustopian speculative fiction. In an America that is spiraling into violence, poverty, and environmental degradation, one corporation finds a solution--and a way to maintain a comfortable profit margin. People are invited to volunteer to serve as inmates at a prison for monthly shifts, alternating with others who share their house when they are incarcerated. In this manner, people trade personal freedom for security and comfort. I'm sure you won't be surprised to find out that it's not quite that simple.

In I Dream of Zenia with the Bright Red Teeth, readers get to revisit characters from The Robber Bride. Roz, Charis, and Tony have weathered the years together and still provide emotional support across their different social circles. In this story, Charis reports on a dream she had, starring their former enemy, now deceased, dressed in a wolf's coat, and Roz and Tony spend time dissecting it and offering Charis advice about her love life and Billy's return to the scene. The story itself is charming, but what I really enjoyed was being reunited with these old friends. Anyone who was a fan of The Robber Bride will enjoy this story, with the only disappointment being that we didn't get more time with Charis, Roz, and Tony.