In posts 46 (American Vampire) and 92.11 (Full Dark, No Stars), I expressed my admiration for Stephen King's storytelling skill. I have, I believe, read every book King has written, and at times I find myself defending my devotion. When I recently told a friend I was reading 11/22/63, he exclaimed skeptically, "Stephen King? Really?" Really.
I think many of my contemporaries read Carrie and The Shining, and even more saw the movies, but fewer have followed the rest of King's career. I took a 15 to 20-year break myself, until I stumbled upon The Dark Tower series King started in 1982 at age 19 and took 22 years to finish (publishing additional volumes in 1987, 1991, 1997, 2003, 2004, 2004). It's claimed that King intentionally set out to write his own Lord of the Rings epic, and the alternative reality established in The Dark Tower books is just as compelling as anything by Tolkien--although a bit darker, as one might expect of King. The books, inspired by Spaghetti Westerns and borrowing from Robert Browning's poem "Childe Roland to the Dark Tower Came," follow the tales of Roland Deschain of Gilead (The Gunslinger) as he pursues the man in black (No, not Johnny Cash, alas.) who sets him on a journey to the Dark Tower. This review isn't about the Dark Tower, of course, so I won't go further into it, but what did come out of my reading the series was a new love of King's writing. Add the fact that he managed to weave in story threads from his previous novels--which I was then compelled to go back and read--and I was smitten.
While the Dark Tower series was King's venture into a completely different world/time, the majority of his books are set in contemporary American society. There's a great familiarity to events, people, and places--but with a twist of the unreal, unlikely, or downright insane. 11/22/63 starts off in a familiar 2011, with an average high school English teacher doing typical things. When Jake Epping steps sideways, though, into another time--1958--we're in the realm of Stephen King. There's a lot to this realm, evidenced by the 842 pages it covers, but the main premise is that Jake sets off with the goal of stopping the assassination of JFK, armed with the meticulous notes of a man who set off to do the same but was unable to complete his mission once cancer and age caught up with him. The possibility of taking on a task such as saving Kennedy exists due to the particular characteristics of King's time portal--no matter how much time is spent on the other side, when Jake returns to this side, only two minutes will have elapsed. And, when he travels back, he arrives in the exact same place and time in 1958 as before, essentially resting anything he did during the previous visit.
King always does a remarkable job of making the impossible seem entirely normal, and that holds true in this book as well, mainly because the majority of things that happen are just so average--eating and traveling and driving cars and falling in love. Like Jake, who must live in an alternate time for five years after arriving in America at the end of the 1950s (14 years before he was born) in order to change the history books, readers are immersed in the time period. The past is obdurate, we learn with Jake, and resists change. And, if Jake can change events, what would ultimately come of a world where a watershed moment is remarkably altered? Would saving JFK also save Robert Kennedy and Martin Luther King, as Jake and his predecessor hope? Would the Vietnam War be avoided, saving thousands of American lives? What of the Civil Rights movement?
Jake spends most of the book pondering these thoughts, which allows readers the same opportunity. It's exhilarating, and difficult, and a bit scary. It's King at his enduring best.
I'm trying to buy fewer books this year, as I've noted in earlier postings, but after the terrible book I last read, it was easy to justify my purchase of The Death Cure when I stopped in Northtown Books after brunch on Sunday. And, I reasoned, if I already have the first two books in this trilogy, don't I have to own the final one?
As you can see, this is the beginning of a very slippery slope. And that's not even when you take into account the fact that I bought two other books--one also the continuation of a series I've started and the other by one of my favorite authors, William Gibson. My friend Diqui, the most dedicated client of the McIntyre Free Public Library, pointed out that she is happy I bought these books, seeing as she too has read the others and looks forward to borrowing them from me. So, yes, the next time you see Diqui, you can let her know that she is a book-purchasing enabler. Obviously, I love her.
Truthfully, I have no regrets about falling off the book-buying wagon. I thoroughly immersed myself in Dashner's final volume of the Maze Runner series (reviewed here in entries 60 and 61) and finished within a day--even with the first week of the semester interrupting. I filled you in on the premise of the series in the earlier entries, so I'll just say that this one does not fail to satisfy. There is plenty of action, amplified by mad scientists, the crazy near-dead masses, and political extremists. And, while I sometimes tire of those evil-scientist characters--Do we really need more anti-science models in today's political climate?--they do make for smart, despicable foes. If you haven't already read The Maze Runner and The Scorch Trials, you should start there. If you have already done so, what are you waiting for? Get out and get a copy of The Death Cure. Or stop by and borrow mine and make me feel better about my vice.
If the first book I read this year demonstrated the fact that good books sit on my shelves for years before I get around to them, this second book provides an alternative lesson: some of the books are neglected for good reason. They stink.
Why, with all the good books available, do I end up purchasing bad ones, you might wonder. In the case of The Bitch Goddess Notebook it was due to limited choice. You'll note in the header of this entry that TBGN was published in Great Britain (although written by an American author), but it was purchased (as the stamp inside the front cover shows) at the Universal Bookshop in Portals Nous. The Universal is a primarily English-language used bookstore in Mallorca, Spain, which I often end up frequenting when I visit Eddie's family. Until recently, when she moved inland to the village Eddie's mother lives in, Nonna Neda lived in Portals Nous, and she always lets us stay in her seaside studio apartment for a few days when we visit the island. With nothing much to do but laze on the beach and wander the few businesses on the main drag, I always get plenty of reading time in and run short of books--especially pre-Kindle and iPad. So, I drop in to Universal Bookshop, sell my already-read books, and pick up a couple more to see me home.
Perhaps it won't surprise you to hear that the types of books available in a bookstore frequented by British tourists soaking in sun by day and sangria and disco by night aren't of the highest caliber. Suffice it to say that you can cross this book of your to-be-read list and move on to something else. How I even managed to make it through to the end is somewhat of a mystery. It might be that, like the three women in the book, I too went to high school in the Midwest in the 1980s. And, compared to their current train-wreck lives, mine is a paradise of stability and happiness. Their outcome, of course, differs because of a horrific shared experience they had as seniors.
Usually I would only hint at outcomes here, but since I strongly advise against your reading of this book, I'll just tell you: they escalated from alcohol, drugs, sex, and cutting to killing the drama teacher one of them was having an affair with. I won't call this a spoiler alert because nothing can really spoil the book. At least now I can dump it at the nearest used book store soon--freeing up the shelf space it has been holding for at least two and a half years (or longer if I didn't buy it on my most recent trip to Mallorca).
In my last book entry of 2011, I discussed my penchant for buying books, many of which go unread for some time, and my resolution to stem the tide of book buying in 2012. My first book of 2012 nicely represents this new effort. In the case of The Monsters of Templeton, I have concrete evidence that the book has been languishing on my to-be-read shelves for some time: a receipt for Powell's Books, dated 4/12/09, was tucked in the front cover. I'm not sure how many points I can score for waiting 2 years and 9 months to read this book, but it does represent one fewer tome gathering dust (only partially true, I suppose, since it will still be gathering dust--just in its properly alphabetized location on the already-read shelves).
Like many of these neglected volumes, Monsters turned out to be a very good book. Set in a small city in upstate New York, pretty clearly modeled on Cooperstown because of the baseball museum, Templeton is staged as idyllic America. Nestled on a lake amidst the rolling, forested hills, the town flourished early on and regained its importance with the establishment of the museum. The book's main character, Willie Upton, is a descendant of the town founder, raised by her ex-hippie mother in the sprawling home he built on the lake shore. Now finishing her PhD in archeology, she returns to Templeton in self-described disgrace on the every day that Glimmey, the monster rumored to live in the lake, has died and floated to the top.
Of course, the book's title implies that there is more than one monster to be found in Templeton. In the search to find her true father--whom her mother now admits is a town citizen and not one of three possible men from the free-love San Fransico commune she left upon the death of her parents--Willie digs into the past to uncover who the mysterious man may be, unearthing a few monsters along the way. The only hint her mother provides her with is that Willie's father also shares a bloodline with the founding father--although of a less legitimate nature. The stories of these family monsters are told through a series of letters as well as invented narratives, uncovering a rich history and, ultimately, Willie's heritage. It's a historical take on an early American settlement, and I'm happy I finally pulled it from the shelf.
